Friday, November 27, 2009
Thursday, November 26, 2009
I uploaded the final tracks for Spectrum not three hours ago. All you need to know, you've already been told. I'm trying to keep this kind of a low-profile release, as it's not what I normally do, but...should you enjoy it, I can always do more (there is always a place for ambient music!).
The tracks are as follows:
If my assumptions are correct, this album will be on EVERY DIGITAL STORE by January. I mean that you may be able to find this on your phone's digital store.
I love this new service.
Well, there's the album art, and I wish you a Happy Thanksgiving, and a Happy Day-After-Thanksgiving. Help bring America out of the recession! Just joking.
Thursday, November 12, 2009
So, yes I survived Swine '09. And I've got something to show for it, too. I've started using a different service to distribute music...everywhere. As far as I know, nothing physical yet, but if sales jump that could change.
Oh, and I've got a new album. Surprise!
It's not my typical album either...it's an ambient album.
"Huh?" You ask, "what's ambient music?!"
A very good question. The father of ambient music (and a god among producers) Brian Eno explained ambient music as thus (pay attention to the last sentence):
"The concept of music designed specifically as a background feature in the environment was pioneered by Muzak Inc. in the fifties, and has since come to be known generically by the term Muzak. The connotations that this term carries are those particularly associated with the kind of material that Muzak Inc. produces - familiar tunes arranged and orchestrated in a lightweight and derivative manner. Understandably, this has led most discerning listeners (and most composers) to dismiss entirely the concept of environmental music as an idea worthy of attention.
Over the past three years, I have become interested in the use of music as ambience, and have come to believe that it is possible to produce material that can be used thus without being in any way compromised. To create a distinction between my own experiments in this area and the products of the various purveyors of canned music, I have begun using the term Ambient Music.
An ambience is defined as an atmosphere, or a surrounding influence: a tint. My intention is to produce original pieces ostensibly (but not exclusively) for particular times and situations with a view to building up a small but versatile catalogue of environmental music suited to a wide variety of moods and atmospheres.
Whereas the extant canned music companies proceed from the basis of regularizing environments by blanketing their acoustic and atmospheric idiosyncracies, Ambient Music is intended to enhance these. Whereas conventional background music is produced by stripping away all sense of doubt and uncertainty (and thus all genuine interest) from the music, Ambient Music retains these qualities. And whereas their intention is to `brighten' the environment by adding stimulus to it (thus supposedly alleviating the tedium of routine tasks and levelling out the natural ups and downs of the body rhythms) Ambient Music is intended to induce calm and a space to think.
Ambient Music must be able to accomodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting."
So, there you have it.
I will post when this new album is released.
It is called Spectrum.
P.S. If you would like one of the greatest albums ever made, please get Brian Eno's Ambient 1/Music for Airports. It was the first and most influential ambient album in history. It is amazing.